Expedition’s Blog
A compendium of projects, process notes, technical reference, and personal anecdote: welcome to Expedition's blog. These are stories about the things we make and what we think about while making them.
You are not you for long: Terrance Hayes poetry notecard
What good's a collaboration if I only share what I feel sure of? I took a deep breath and sent off both excerpts and got a resounding response from the entire SAL staff: You are not you for long. And goodness we aren't, are we?
Making “Instructions on Not Giving Up” by Ada Limón
On Noticing Love & Studying It: Ross Gay poetry notecard
Dreams young & old: Pablo Neruda poetry broadside
I feel this poem speaks from a young and an old place at the same time and I love how it holds the two together. Unapologetically. It reminds me how we are always ourselves, holding our pain and joy, our knowing and unknowing.
Simple & unrelenting: “We Love What We Have” by Mosab Abu Toha
Releasing “Apenimonodan” small print by Margaret Noodin
Finding strange comfort: Victoria Chang poetry notecard
I find a strange comfort in these lines even though I really don't know what they mean. This is what I love about poetry—it eases my need to know and cuts great swathes through my thinking.
Graveside poetry & pie: Late Fragment by Raymond Carver
Letterpress United: No to War
Making “Choreography of Ruin” by Ellen Bass
Poetry Unbound & On Being
Making “tó” by Sherwin Bitsui
Embracing Grief
What I’m most grateful for about the losses I’ve experienced in my life is their effect of making me suddenly, unexpectedly, excruciatingly present. The summer my older brother died I was painting a friend’s 2-story 4-bedroom house a soft pale yellow.
June Jordan by Sabina Smith
When I first read June Jordan’s “Poem about My Rights,” it was the first day of spring break. I was sitting at a coffee shop next to Expedition Press with my friend. We saw Myrna and she invited us over. On her wall in the shop there was a copy of the poem tacked up. I still can’t fully describe how powerful it felt, so full of emotion and honestly, I’d never read anything more mesmerizing.
On Edge
Recently I was interviewed by a 13 yr old who asked me what the hardest part of my job is. “Time!” I said immediately. “Good lord, time management. Knowing what to prioritize when.” A week prior a journalist asked me about my relationship to time as if I knew some secret about detaching from the fast-paced pressures of the digital
Building an Art Show
A year ago, at a windy roadside stop in South Dakota with a couple flickering bars of reception, I checked my email. There was a message from the manager of a gallery in downtown Seattle. She was wondering whether I wanted to join next year?
Making Sweet Darkness
I first read the poem “Sweet Darkness” by David Whyte on a Friday, at the end of one of the worst weeks of my life. Husband demanding separation, step daughter screaming, mother gone missing.
On Propaganda & Personalizing
I watched the election results come in with increasing sickness. I went to bed early and woke up numb. The rollercoaster ride since recalls the early days after my brother died: anger, shock, despair, and overall a grand penetrating sense of pure disbelief.
Broken Broadsides
Lately I’ve been thinking a lot about my voice as an artist and my role as a publisher: how they inform and whether they inhibit each other. I feel a strong insistence that I should divide these actions and define them. Then I forget.
How to Publish a Poetry Book
When it comes to publishing, I have only one criteria: I must love the poems. I’ve always known that so long as I love something, I can make something beautiful from it.
Thousandth Time: Broadside Construction
William Stafford broadside
“A Story That Could Be True” by William Stafford. Commissioned for a wedding keepsake, this print was a surprise gift.
Full Immersion—Sally Green
Collection of poems by Sally Green, published by Expedition Press in 2014. “The title refers, beautifully, to a pool of moonlight: we step into it from the shadows and are “rinsed wholly through to the bone.”
Scraps of Red
I love the challenge of color – and believe me, it’s almost always a challenge. In fact, many printers will attest that only three colors exist: black, red, and the white of the paper. What letterpress printer doesn’t love constraints?